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Meg, Jo, Beth, and Amy, a modern retelling of Little Women by Rey Terciero and Bre Indigo

Meg, Jo, Beth, and Amy: A Graphic Novel: A Modern Retelling of Little Women by Rey Terciero front cover

Meg, Jo, Beth, and Amy: A Graphic Novel: A Modern Retelling of Little Women by Rey Terciero

My rating: 5 of 5 stars

I loved this. So much. Little Women is one of those iconic texts and retellings of iconic texts can be challenging things. Do you stick with the iconic or do you go for something new? Do you retell texture or detail, sensation or sentence? It’s a balancing act and one that will never wholly reproduce the original. But it shouldn’t. Books – stories – life – they evolve. Words grow, words shift, words change, and that which broke our heart at age six can turn us into warriors at age thirty-six. Everything changes. Why should our stories be any different?

And so this is no perfect adaptation, because I think no adaptation can be perfect. It simply can’t. It’s never that original, it’s never that point in time, it’s never the moment when we pick up a book for the first time. It’s an echo, a memory, but in the hands of Rey Terciero and Bre Indigo, it’s perfect. I accept the flaws of Meg, Jo, Beth, and Amy (and Peggy!) because it’s so utterly, utterly gorgeous. Yes, the chapters tend to devolve into vignettes, and plots are shifted and detail nuanced, but when it’s as beautiful and rich and lovely as this, I don’t care.

And it made me love Amy. So much. Amy! The actual worst becoming the actual best! Wonders will never cease. This is joyful, and I love it. We should not separate our stories from the world; we should take them and reshape them and make them parts of our lives. And we should give them such an ending as Terciero and Indigo give this book, one of heart, hope and utter, utter power.

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Everything else

Thank you Michael Bond

I’m supposed to be editing my thesis, and yet here I am trying to hide my tears because of the death of a man I never met. Michael Bond has died, and I am beyond words and yet words are what I turn to. How do you express your grief? How do you express your grief when you know that it will never, remotely, hit the kindly grace that Michael Bond hit in every sentence?

You begin, perhaps, by saying thank you. It is a simple sort of thing to say and yet one that I keep coming back to over and over again.

Thank you.

Thank you Michael Bond for your stories; for Olga Da Polga, Monsieur Pamplemousse and for Paddington. Thank you for your genuine and kind and warm and rich stories that defied their apparent simplicity to cut deeper, deeper than anybody may have ever expected.

Thank you for marmalade sandwiches. Thank you for making children the centre of your stories, thank you for trusting that that story was worth telling. Thank you for bears. Thank you for overly ambitious guinea pigs. Thank you for Pommes Frites. Thank you for honesty. Thank you for gentleness. Thank you for seeing the best in people, whoever they might be.

Thank you Michael Bond.

We were so very privileged to have known you.

Image result for sad paddington bear

Everything else Girlsown

“She has torn yet another dress”: Reflections on being a book collector

It’s hard to pinpoint where you fell in love with something when you have been in love with that something for a while. I don’t remember my first book, nor my first library, nor my first story. I remember beats in my journey of literacy, of reading; moments that echo in my heart and sing out, oddly, vibrantly, sharply, when I least expect it. Sitting on my dad’s lap in a great armchair. Telling the librarian what happened in a story. Passing round the salacious bits in a Jilly Cooper (wonderful, wonderful Jilly Cooper).

I don’t remember when I fell in love with the Chalet School. It’s been too long, really, and I can’t begin to unpick the stitch of this book inside of me. It simply is a love; a love I have for an eccentric Aunt that turns up at Christmas brandishing gift, or those moments when you see your favourite thing reduced at Waitrose. Simply, indefinable, truthful moments. Happiness. Satisfaction. Fullness.

But I do remember the moments within the series that cling to me a little harder than most; and one of them is in the below image. It’s a simple paragraph, part of The Princess at the Chalet School, and what I want you to do is read it it and then read it out loud. Slowly. Carefully. Dwell on that last little speech of Mademoiselle’s, and the way that it has so much effortless wonder in it. That final, round full stop of a sentence. It is a perfect paragraph, and perfectly ended.


Now, there’s a part of me that could talk for hours about the thematic implications of that paragraph and the great symbolism it holds for the notion of feminine power within the series, but I won’t. At least, not now. Maybe later. I’m totally already planning it.

But, for now, what I’m trying to say is that there are moments within a text that make you find your home. I’d forgotten about this one but when I read it again yesterday, I realised that it was one of the best moments of the series for me. It is a paragraph that brings me home.

It is love, caught up in the tight ink curve of letters and of space on a page, it is love.

Everything else

Love in children’s literature : the pain, the glory, the wonder

It’s a big old subject is love. Love changes everything. All you need is love. Love in media simply is. It’s one of the core tenets of our humanity, of our experience, and so we talk about it. We share it. We are inspired by it. We are made by, reshaped by and broken by love.

Book Reviews

Forever : Judy Blume

ForeverForever by Judy Blume

My rating: 4 of 5 stars

Have I ever told you about my love of Judy Blume? She, along with my equally beloved Paula Danziger and repeats of Mash on Sky One, form a substantial part of my introduction to Americana. That world of summer camps, of wise-cracks and heartbreak, and of corn-dogs and schools with PA systems.

And that world of love.

To be honest, eighties children’s literature didn’t really have love. Didn’t have sex. Children appeared like clouds on a rainy day. They were sudden, unexpected. Lessons wrapped in the form of a baby, morals kicking and screaming as you tried to change its nappy.

Blume and Danziger (and also when I managed to smuggle Lady Chatterley’s Lover out of the adults section in the library) were my introduction to love. Sex. Intense, madly, neurose-ridden sex. Heartbreak. Loss. Hope. All tied up in books that involved people being people and no mention of a pony anywhere. Truly it was a foreign literary land!

And now, finally, I have read Forever.

The lack of a star needs to be explained first. There’s elements about this that have dated, substantially, and that should be recognised.

But oh, oh, this book. This challenged and censored and banned book is still so very brilliant.

This is the summer of Katherine and Michael, fallen into an intense relationship. It’s a slim book and one that hinges on the fact that they’re forced to spend the summer apart, at different holiday sites. Will their love – their ‘forever’ love – last?

I love Judy Blume. Have I mentioned that? She writes Sex as sex. It is not Seexxxhcchmmmaaghhgiigglegigglelolz. It is not SEXY SEXY ME YES. It is just sex.

And Blume mentions gonorrhea! GONORRHEA. Tell me another children’s book that does that, even today! And she mentions it in the matter-of-fact, natural way that it should be mentioned. (Keep the bogeyman in the shadows and it remains the bogeyman, bring it to the light and it’s nothing but a word, an instance to master and to be beaten).

Forever is such a book. Such a brilliant book that is like the elder sister you always wanted to have. Like Just Seventeen back in its heyday when it told me *everything* about everything. Like that time when you sat down with your friends and finally figured out about tampons and sanitary pads.

Like that time you grew up.

(Can we say we were Blumed? Can we say that? Can we say that being Blumed has made us be the powerful people we are today? Can we make that a thing? Because it really, really should be.)

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What makes me fall in love with a book?

I’m continuing the slightly awkward theme of love (dude, two posts make a theme okay) and I wanted to talk about what makes me fall in love with a book. What makes me think – this is it, this is the one, this is the one thing that I want to do for the next three hours and the life outside can stop and the world can wait because right now I just want it to be about me and this book? Reading is like that. It’s a very personal relationship between you and another.

Surprise me. I want a book that doesn’t tread the boards of repetition. I want the heroine to fall in love with her best friend rather than the bad boy first. I want the heroine to fall out of love and realise sometimes it’s not just about being one of a couple. It’s about being yourself.

I want funny. Make me laugh. Make me laugh with a little sideways look at life. Appreciate the farce and the high drama of teenage life. Teens are as self-referential as the rest of us. Don’t make them cardboard cut-outs that react to an anvilicious plot development.

Don’t get all self-conscious. Right now I’m reading a lot of things about gifted kids. A lot of these kids may be gifted writers. It’s too close to home. I read these and can’t separate the story from the author. It’s too close to home. Plus, you know, it’s a book. It’s not a counselling course.

No vampires. Seriously. Please?

Don’t shy away from the harsh. Jacqueline Wilson is excellent at this. She’s honest, truthful and very very powerful. Bad things happen. The world isn’t kittens and rainbows. But we’ll get through it. The joy of humanity is that we keep on fighting. Surviving. Make your characters do the same.

I’d love more books with GLBQT teens as well but not done in an Oh Look At My Public Service Announcement Masquerading As A Novel way. These kids exist. They’re not represented in a vast amount of kid lit and that’s a massive shame.

God, I would die of happiness at a really good school story. Something that’s not all nudge nudge wink wink innuendo but it’s full of the love, and the lust, and the massive awkwardness that define teenage years for so many.

And .. finally … on a terribly fickle note …  I’d love some good bookjackets. Can somebody remember that a lot of people buy books based on their cover? The cover is that initial note to the browser – it’s the thing that calls them over – and frankly writers deserve better than some of the stuff that’s out there (Shannon Hale’s Book of a Thousand Days is brilliant but the cover’s appalling!). C+ book designers, you can do better 😉


Ten children’s books about love

Booktrust recently published a list of ten kids books about love. The full list is available here.

I’ve not read all of them but I was instantly intrigued.

What’s love? How do we define love? How does a child perceive, experience and learn what love is? How is it represented in literature? Is love a necessary experience for a character to experience?

I’m intrigued by the representation of love in books for the very young. In this particular pre / emergent literacy age group, the texts have a duel  readership. The child and the mediating presence of the adult. Is it then, that in these books in particular,  the representation of a happy loving relationship becoming a didactic message for the child to mimic and model their behaviour on  or is it a side-wink to the adult reader that says we’re indoctrinating your child in the “right” way to think?

Ps – Regardless of all the above theoretical pondering, anything by Louise Rennison still remains Officially Brilliant and Worth Of A Read Regardless Of Age.