I’m still shaking after last night’s Doctor Who episode. Written by the illustrious Malorie Blackman, a legend in the world of children’s and young adult literature – and former Children’s Laureate to boot, Rosa was set in Montgomery, Alabama and concerned the equally illustrious figure of Rosa Parks.
It’s sometimes difficult to understand story when you’re crying on the sofa. When you’re made breathless by it, and you can’t look away. When sentences make you sick and horrified at the world and then, in the next breath, make you laugh out loud. Emotions matter. They’re a total asset. And when a story triggers them, whether that story’s rendered on a television screen, written in a book or stuck onto the back of the HP bottle, you know you’re onto a good thing.
Malorie Blackman is a good thing. Rosa broke me and remade me and it reminded me of the utter power of story. It’s an unrelenting episode, stark and unflinching and with a remarkably final ten minutes or so. It’s perhaps more remarkable in that the agency of Rosa herself is never affected. She changes the world. She changes the universe. And she does it herself. There’s no machinations, no zapping of an alien to make her sit in the seat, it’s just the circumstances of history and the power of an individual voice. Beyond that, yes, there’s a Doctor Who episode but there’s also one of the lead characters being threatened with a lynching. There’s a moment where two of the leads reflect on how they face modern day racism. This is raw, horrific, outstanding storytelling and it felt like a statement of intent, not only for the show but also Malorie Blackman’s work. She is a storyteller of intense power.
If you’d like to discover more about Blackman’s work, I’d suggest starting with the outstanding Noughts and Crosses series. I review the first one here.